59 Standard Fuzz

$229.00
sold out

The 59 Standard Fuzz is a recreation of the Ibanez #59 Standard Fuzz, a take on the Superfuzz made in Japan in the late 1970's.

I was inspired to make this by my love for The Black Keys, and use of the Standard Fuzz by Dan Auerbach on multiple albums. More info on that here:

https://www.musicradar.com/news/dan-auerbach-theres-something-about-playing-that-electric-guitar-real-loud-that-feels-like-home

The Standard Fuzz has minimal controls, but offers a fairly wide range of fuzz tones. Of course, being a Superfuzz variant, it is an octave fuzz, with the octave being very responsive to pickup selection. The Tone Change control switches between a mid scooped tone and a mid heady tone, and these two could not sound more different.

The main difference between the Standard Fuzz and the Superfuzz is the Standard Fuzz uses a JFET transistor first stage instead of the two NPN transistors in the Superfuzz. This drives the subsequent stages a bit differently and creates a more aggressive fuzz profile.

I tried to make this build as premium as possible, and also use as many NOS Japanese components as I could.

Featuring:

  • Alps slider potentiometers (MIJ)

  • NOS Matsushita 2SC828 transistors (MIJ)

  • NOS Toshiba 2SK30 JFET (MIJ)

  • NOS OA90 germanium diodes

  • NOS carbon film resistors

  • Rubycon electrolytics

  • NOS Panasonic and Rubycon film caps (MIJ)

  • NOS Hosiden audio jacks (MIJ)

  • Lumberg DC jack (MIJ)

  • Alpha footswitches

  • NOS red soft glow LED with internal brightness control

  • Geniune Hammond 1590B3 enclosure

  • Custom laser cut and UV printed faceplates

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The 59 Standard Fuzz is a recreation of the Ibanez #59 Standard Fuzz, a take on the Superfuzz made in Japan in the late 1970's.

I was inspired to make this by my love for The Black Keys, and use of the Standard Fuzz by Dan Auerbach on multiple albums. More info on that here:

https://www.musicradar.com/news/dan-auerbach-theres-something-about-playing-that-electric-guitar-real-loud-that-feels-like-home

The Standard Fuzz has minimal controls, but offers a fairly wide range of fuzz tones. Of course, being a Superfuzz variant, it is an octave fuzz, with the octave being very responsive to pickup selection. The Tone Change control switches between a mid scooped tone and a mid heady tone, and these two could not sound more different.

The main difference between the Standard Fuzz and the Superfuzz is the Standard Fuzz uses a JFET transistor first stage instead of the two NPN transistors in the Superfuzz. This drives the subsequent stages a bit differently and creates a more aggressive fuzz profile.

I tried to make this build as premium as possible, and also use as many NOS Japanese components as I could.

Featuring:

  • Alps slider potentiometers (MIJ)

  • NOS Matsushita 2SC828 transistors (MIJ)

  • NOS Toshiba 2SK30 JFET (MIJ)

  • NOS OA90 germanium diodes

  • NOS carbon film resistors

  • Rubycon electrolytics

  • NOS Panasonic and Rubycon film caps (MIJ)

  • NOS Hosiden audio jacks (MIJ)

  • Lumberg DC jack (MIJ)

  • Alpha footswitches

  • NOS red soft glow LED with internal brightness control

  • Geniune Hammond 1590B3 enclosure

  • Custom laser cut and UV printed faceplates

The 59 Standard Fuzz is a recreation of the Ibanez #59 Standard Fuzz, a take on the Superfuzz made in Japan in the late 1970's.

I was inspired to make this by my love for The Black Keys, and use of the Standard Fuzz by Dan Auerbach on multiple albums. More info on that here:

https://www.musicradar.com/news/dan-auerbach-theres-something-about-playing-that-electric-guitar-real-loud-that-feels-like-home

The Standard Fuzz has minimal controls, but offers a fairly wide range of fuzz tones. Of course, being a Superfuzz variant, it is an octave fuzz, with the octave being very responsive to pickup selection. The Tone Change control switches between a mid scooped tone and a mid heady tone, and these two could not sound more different.

The main difference between the Standard Fuzz and the Superfuzz is the Standard Fuzz uses a JFET transistor first stage instead of the two NPN transistors in the Superfuzz. This drives the subsequent stages a bit differently and creates a more aggressive fuzz profile.

I tried to make this build as premium as possible, and also use as many NOS Japanese components as I could.

Featuring:

  • Alps slider potentiometers (MIJ)

  • NOS Matsushita 2SC828 transistors (MIJ)

  • NOS Toshiba 2SK30 JFET (MIJ)

  • NOS OA90 germanium diodes

  • NOS carbon film resistors

  • Rubycon electrolytics

  • NOS Panasonic and Rubycon film caps (MIJ)

  • NOS Hosiden audio jacks (MIJ)

  • Lumberg DC jack (MIJ)

  • Alpha footswitches

  • NOS red soft glow LED with internal brightness control

  • Geniune Hammond 1590B3 enclosure

  • Custom laser cut and UV printed faceplates